Add your OPUS file
Drop one or more .opus files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Re-encoding .opus audio as .aiff changes how the sound is compressed and which players will accept it. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Re-encoding .opus audio as .aiff changes how the sound is compressed and which players will accept it. An .opus file contains audio compressed with the Opus codec, stored in an Ogg container. Opus represents the current state of the art in lossy audio, beating MP3, AAC, and Vorbis in listening tests at nearly every bitrate from whisper-thin speech settings up to transparent music encoding.
An .aiff file is Apple's Audio Interchange File Format, storing uncompressed PCM audio much as WAV does on Windows. Mac-based studios have exchanged .aiff masters for decades, and Logic Pro sessions and sample libraries remain full of them. For this route the practical draw is bit-perfect audio identical in fidelity to WAV and loop and marker metadata that samplers actually read — balanced against as bulky as any uncompressed format, which is worth knowing before you commit a large batch.
The practical trigger for this conversion is usually a mismatch: with .opus, older car stereos, AV receivers, and MP3 players have never heard of it. Switching to .aiff buys you bit-perfect audio identical in fidelity to WAV, which is why it is the better fit for delivering masters from macOS-based studios. Because the conversion runs locally, trying it costs nothing but a few seconds of compute on your own machine.
| Aspect | Opus audio (.opus) | Audio Interchange File (.aiff) |
|---|---|---|
| Format type | Lossy — discards detail it judges invisible to shrink files | Lossless — every pixel or sample is preserved exactly |
| How it stores data | the hybrid SILK/CELT design switches coding modes automatically based on content | classic AIFF stores big-endian PCM, the opposite byte order from WAV, in COMM and SSND chunks |
| Strongest at | compressing podcast and voice-chat audio to tiny files | delivering masters from macOS-based studios |
| Weak spot | older car stereos, AV receivers, and MP3 players have never heard of it | as bulky as any uncompressed format |
| Metadata | vorbis comments in the OpusTags header, including cover art via METADATA_BLOCK_PICTURE, plus an output-gain field used for loudness normalization | nAME, AUTH, and ANNO chunks provide basic text, marker and instrument chunks store loop data, and an ID3 chunk is a common unofficial extension used by iTunes |
Drop one or more .opus files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .aiff in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if AIFF is selectable, the route is real and validated.
Press Convert. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid AIFF file. Outputs keep the original filename with the .aiff extension.
No new loss is introduced — since opus is lossy-oriented and aiff is lossless-oriented, everything the .opus file still contains is carried over exactly. What was already discarded by the original lossy encode cannot be recovered, though; converting to .aiff does not "restore" quality.
Yes — the .opus file is processed inside your browser tab and never uploaded. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device. Close the tab and the file is gone from memory.
macOS and all serious audio software open .aiff without hesitation, and Windows editors generally support it even though WAV is their default. Browsers offer partial support at best, and the format's size makes it a poor web choice regardless.
Larger, sometimes much larger. A lossless .aiff must store every pixel or sample the decoder produced, without the perceptual shortcuts .opus used. Use this route for editing headroom, not for saving space.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, vorbis comments in the OpusTags header, including cover art via METADATA_BLOCK_PICTURE, plus an output-gain field used for loudness normalization; none of it is transmitted anywhere because the file never leaves your browser.
Yes — the reverse route exists as a separate tool. Bear in mind that round-tripping .opus → .aiff → .opus is not a perfect undo when any lossy step is involved; keep your original if fidelity matters.