Add your AIFF file
Drop one or more .aiff files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Re-encoding .aiff audio as .opus changes how the sound is compressed and which players will accept it. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Re-encoding .aiff audio as .opus changes how the sound is compressed and which players will accept it. An .aiff file is Apple's Audio Interchange File Format, storing uncompressed PCM audio much as WAV does on Windows. Mac-based studios have exchanged .aiff masters for decades, and Logic Pro sessions and sample libraries remain full of them.
An .opus file contains audio compressed with the Opus codec, stored in an Ogg container. Opus represents the current state of the art in lossy audio, beating MP3, AAC, and Vorbis in listening tests at nearly every bitrate from whisper-thin speech settings up to transparent music encoding. For this route the practical draw is best-in-class efficiency at essentially every bitrate and royalty-free with an open reference implementation — balanced against older car stereos, AV receivers, and MP3 players have never heard of it, which is worth knowing before you commit a large batch.
The practical trigger for this conversion is usually a mismatch: with .aiff, as bulky as any uncompressed format. Switching to .opus buys you best-in-class efficiency at essentially every bitrate, which is why it is the better fit for compressing podcast and voice-chat audio to tiny files. Because the conversion runs locally, trying it costs nothing but a few seconds of compute on your own machine.
| Aspect | Audio Interchange File (.aiff) | Opus audio (.opus) |
|---|---|---|
| Format type | Lossless — every pixel or sample is preserved exactly | Lossy — discards detail it judges invisible to shrink files |
| How it stores data | classic AIFF stores big-endian PCM, the opposite byte order from WAV, in COMM and SSND chunks | the hybrid SILK/CELT design switches coding modes automatically based on content |
| Strongest at | delivering masters from macOS-based studios | compressing podcast and voice-chat audio to tiny files |
| Weak spot | as bulky as any uncompressed format | older car stereos, AV receivers, and MP3 players have never heard of it |
| Metadata | nAME, AUTH, and ANNO chunks provide basic text, marker and instrument chunks store loop data, and an ID3 chunk is a common unofficial extension used by iTunes | vorbis comments in the OpusTags header, including cover art via METADATA_BLOCK_PICTURE, plus an output-gain field used for loudness normalization |
Drop one or more .aiff files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .opus in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if OPUS is selectable, the route is real and validated.
Press Convert. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid OPUS file. Outputs keep the original filename with the .opus extension.
Some. Since aiff is lossless-oriented and opus is lossy-oriented, the encoder will discard detail it judges least visible; the quality slider controls how aggressive that is. Keep the original .aiff if you may need a pristine master later.
Yes — the .aiff file is processed inside your browser tab and never uploaded. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device. Close the tab and the file is gone from memory.
Chrome, Firefox, and Edge have played Opus for a decade and Android supports it natively, while Safari initially accepted the codec only inside CAF or WebM wrappers before extending support to .opus files. Legacy hardware such as older car head units remains the real gap, and conversion to MP3 or AAC bridges it.
Smaller, usually dramatically so — that is the main reason this route exists. The quality slider trades size against fidelity; the default sits at the point where most people cannot spot the difference.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, nAME, AUTH, and ANNO chunks provide basic text, marker and instrument chunks store loop data, and an ID3 chunk is a common unofficial extension used by iTunes; none of it is transmitted anywhere because the file never leaves your browser.