Add your MOV file
Drop one or more .mov files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Pulling the soundtrack out of a .mov video into .alac audio keeps what you can hear and drops the picture entirely. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Pulling the soundtrack out of a .mov video into .alac audio keeps what you can hear and drops the picture entirely. A .mov file is Apple's QuickTime movie container, which stores video, audio, text, and timecode tracks in a flexible atom-based layout. iPhones, iPads, and professional cameras that record ProRes all write .mov, so the extension shows up constantly in editing workflows.
ALAC, the Apple Lossless Audio Codec, compresses music with zero quality sacrifice, and the .alac extension is occasionally used to label such files explicitly even though the codec normally travels inside an .m4a container. Decoding reproduces the original samples exactly, making it Apple's counterpart to FLAC. For this route the practical draw is native on every Apple platform from iOS to HomePod and mathematically lossless reconstruction — balanced against compresses slightly worse than FLAC on average, which is worth knowing before you commit a large batch.
The usual reason to take .alac audio out of a .mov file is that only the sound matters — a talk, interview, song, or podcast segment. Keeping the video stream would waste storage, and a dedicated audio file is easier to trim, tag, and play. On the source side, proRes recordings consume enormous disk space; on the target side, the payoff is native on every Apple platform from iOS to HomePod, which is exactly what you want for building a lossless library that syncs cleanly to iPhones and the Music app.
| Aspect | QuickTime video (.mov) | Apple Lossless audio (.alac) |
|---|---|---|
| Format type | Container — quality depends on the codecs and settings inside | Lossless — every pixel or sample is preserved exactly |
| How it stores data | media lives in a hierarchy of atoms, each declaring its own size and type, which makes the format easy to extend | linear-prediction compression conceptually similar to FLAC, typically reaching 40 to 60 percent of PCM size |
| Strongest at | importing iPhone footage into an edit without conversion | building a lossless library that syncs cleanly to iPhones and the Music app |
| Weak spot | proRes recordings consume enormous disk space | compresses slightly worse than FLAC on average |
| Metadata | quickTime metadata atoms and keys, including camera model, location, and timecode data written by iPhones and professional cameras | inherits the full iTunes metadata atom set from its MPEG-4 container, including artwork, composer, and grouping fields |
Drop one or more .mov files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .alac in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if ALAC is selectable, the route is real and validated.
Press Convert. A WebAssembly FFmpeg build demuxes the audio track and re-encodes it locally; the video stream is simply discarded.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid ALAC file. Outputs keep the original filename with the .alac extension.
Since mov is container-oriented and alac is lossless-oriented, the conversion preserves the source content exactly as stored; no additional compression pass is applied beyond what .alac itself requires.
Yes — the .mov file is processed inside your browser tab and never uploaded. A WebAssembly FFmpeg build demuxes the audio track and re-encodes it locally; the video stream is simply discarded. Close the tab and the file is gone from memory.
Every Apple device and application plays ALAC natively, and cross-platform players such as VLC and foobar2000 handle it on Windows, Linux, and Android. Outside the Apple world support varies by player, which is why cross-platform archives still tend to favor FLAC.
Much smaller — the video stream is usually 80–95% of a .mov file's weight, and it is discarded entirely. The remaining audio is re-encoded at the bitrate implied by your quality setting.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, quickTime metadata atoms and keys, including camera model, location, and timecode data written by iPhones and professional cameras; none of it is transmitted anywhere because the file never leaves your browser.