Add your MOV file
Drop one or more .mov files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Pulling the soundtrack out of a .mov video into .flv audio keeps what you can hear and drops the picture entirely. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Pulling the soundtrack out of a .mov video into .flv audio keeps what you can hear and drops the picture entirely. A .mov file is Apple's QuickTime movie container, which stores video, audio, text, and timecode tracks in a flexible atom-based layout. iPhones, iPads, and professional cameras that record ProRes all write .mov, so the extension shows up constantly in editing workflows.
An .flv file is a Flash Video container, the format that powered most web video during the 2000s. YouTube, news sites, and early streaming platforms delivered .flv streams into the Flash Player plugin before HTML5 video replaced the whole stack. For this route the practical draw is very small container overhead and h.264/AAC content re-wraps to MP4 without any re-encoding — balanced against no mainstream player ships FLV support anymore, which is worth knowing before you commit a large batch.
The usual reason to take .flv audio out of a .mov file is that only the sound matters — a talk, interview, song, or podcast segment. Keeping the video stream would waste storage, and a dedicated audio file is easier to trim, tag, and play. On the source side, proRes recordings consume enormous disk space; on the target side, the payoff is very small container overhead, which is exactly what you want for recovering clips downloaded during the Flash era.
| Aspect | QuickTime video (.mov) | Flash video (.flv) |
|---|---|---|
| Format type | Container — quality depends on the codecs and settings inside | Container — quality depends on the codecs and settings inside |
| How it stores data | media lives in a hierarchy of atoms, each declaring its own size and type, which makes the format easy to extend | a simple sequence of tagged audio, video, and script packets designed for progressive download and RTMP streaming |
| Strongest at | importing iPhone footage into an edit without conversion | recovering clips downloaded during the Flash era |
| Weak spot | proRes recordings consume enormous disk space | no mainstream player ships FLV support anymore |
| Metadata | quickTime metadata atoms and keys, including camera model, location, and timecode data written by iPhones and professional cameras | an onMetaData script tag embeds duration, dimensions, and encoder details; there is no standard field set for titles or authorship |
Drop one or more .mov files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .flv in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if FLV is selectable, the route is real and validated.
Press Convert. A WebAssembly FFmpeg build demuxes the audio track and re-encodes it locally; the video stream is simply discarded.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid FLV file. Outputs keep the original filename with the .flv extension.
Since mov is container-oriented and flv is container-oriented, the conversion preserves the source content exactly as stored; no additional compression pass is applied beyond what .flv itself requires.
Yes — the .mov file is processed inside your browser tab and never uploaded. A WebAssembly FFmpeg build demuxes the audio track and re-encodes it locally; the video stream is simply discarded. Close the tab and the file is gone from memory.
No current browser can play .flv, since the plugin that decoded it was removed from Chrome, Firefox, and Edge at the end of 2020. VLC and ffmpeg-based tools still read the format reliably, which is how old files get rescued into MP4.
Much smaller — the video stream is usually 80–95% of a .mov file's weight, and it is discarded entirely. The remaining audio is re-encoded at the bitrate implied by your quality setting.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, quickTime metadata atoms and keys, including camera model, location, and timecode data written by iPhones and professional cameras; none of it is transmitted anywhere because the file never leaves your browser.
Yes — the reverse route exists as a separate tool. Bear in mind that round-tripping .mov → .flv → .mov is not a perfect undo when any lossy step is involved; keep your original if fidelity matters.