Add your WAV file
Drop one or more .wav files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Re-encoding .wav audio as .wma changes how the sound is compressed and which players will accept it. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Re-encoding .wav audio as .wma changes how the sound is compressed and which players will accept it. A .wav file is Microsoft's Waveform Audio format, which in practice almost always stores uncompressed PCM samples. Because every bit of the original signal is preserved and no decoding is required, .wav remains the default working format in recording studios and audio editors.
A .wma file contains Windows Media Audio, Microsoft's proprietary compressed format, wrapped in the same ASF container as WMV video. It shipped with every copy of Windows for a decade, so ripped CDs and store purchases from that era survive as .wma libraries. For this route the practical draw is respectable quality at mid bitrates for its era and still opens on any Windows PC without extra software — balanced against proprietary and effectively abandoned, which is worth knowing before you commit a large batch.
The practical trigger for this conversion is usually a mismatch: with .wav, enormous compared with FLAC, which halves the size losslessly. Switching to .wma buys you respectable quality at mid bitrates for its era, which is why it is the better fit for converting old ripped-CD libraries to MP3 or FLAC. Because the conversion runs locally, trying it costs nothing but a few seconds of compute on your own machine.
| Aspect | WAV audio (.wav) | Windows Media audio (.wma) |
|---|---|---|
| Format type | Lossless — every pixel or sample is preserved exactly | Lossy — discards detail it judges invisible to shrink files |
| How it stores data | a RIFF chunk container whose fmt chunk usually declares linear PCM, though compressed codecs are technically permitted | the standard codec is a lossy transform coder supporting up to 48 kHz stereo |
| Strongest at | capturing and mixing sessions in a DAW | converting old ripped-CD libraries to MP3 or FLAC |
| Weak spot | enormous compared with FLAC, which halves the size losslessly | proprietary and effectively abandoned |
| Metadata | rIFF INFO chunks hold basic tags, while the Broadcast Wave bext chunk and iXML add description, originator, and timecode for production workflows; some tools also embed ID3 chunks | aSF attributes mirror ID3 basics such as title, artist, album, and artwork, and Windows Media Player wrote extended library fields on top |
Drop one or more .wav files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .wma in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if WMA is selectable, the route is real and validated.
Press Convert. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid WMA file. Outputs keep the original filename with the .wma extension.
Some. Since wav is lossless-oriented and wma is lossy-oriented, the encoder will discard detail it judges least visible; the quality slider controls how aggressive that is. Keep the original .wav if you may need a pristine master later.
Yes — the .wav file is processed inside your browser tab and never uploaded. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device. Close the tab and the file is gone from memory.
Windows continues to play .wma through its bundled apps, but macOS, iOS, Android, and all web browsers lack native support. Files protected by Windows Media DRM will not play anywhere now that their license servers are gone.
Smaller, usually dramatically so — that is the main reason this route exists. The quality slider trades size against fidelity; the default sits at the point where most people cannot spot the difference.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, rIFF INFO chunks hold basic tags, while the Broadcast Wave bext chunk and iXML add description, originator, and timecode for production workflows; some tools also embed ID3 chunks; none of it is transmitted anywhere because the file never leaves your browser.
Yes — the reverse route exists as a separate tool. Bear in mind that round-tripping .wav → .wma → .wav is not a perfect undo when any lossy step is involved; keep your original if fidelity matters.