Add your M4R file
Drop one or more .m4r files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Re-encoding .m4r audio as .wma changes how the sound is compressed and which players will accept it. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Re-encoding .m4r audio as .wma changes how the sound is compressed and which players will accept it. An .m4r file is an iPhone ringtone: AAC audio in an MPEG-4 container, identical to an .m4a in everything but the extension. Apple uses .m4r purely as a routing marker so iTunes and iOS file the audio under Tones instead of Music.
A .wma file contains Windows Media Audio, Microsoft's proprietary compressed format, wrapped in the same ASF container as WMV video. It shipped with every copy of Windows for a decade, so ripped CDs and store purchases from that era survive as .wma libraries. For this route the practical draw is respectable quality at mid bitrates for its era and still opens on any Windows PC without extra software — balanced against proprietary and effectively abandoned, which is worth knowing before you commit a large batch.
The practical trigger for this conversion is usually a mismatch: with .m4r, tones over 40 seconds are rejected outright. Switching to .wma buys you respectable quality at mid bitrates for its era, which is why it is the better fit for converting old ripped-CD libraries to MP3 or FLAC. Because the conversion runs locally, trying it costs nothing but a few seconds of compute on your own machine.
| Aspect | Apple ringtone (.m4r) | Windows Media audio (.wma) |
|---|---|---|
| Format type | Lossy — discards detail it judges invisible to shrink files | Lossy — discards detail it judges invisible to shrink files |
| How it stores data | shares the ISO base media layout of .m4a, carrying AAC-LC audio | the standard codec is a lossy transform coder supporting up to 48 kHz stereo |
| Strongest at | turning a favorite song's hook into a custom iPhone ringtone | converting old ripped-CD libraries to MP3 or FLAC |
| Weak spot | tones over 40 seconds are rejected outright | proprietary and effectively abandoned |
| Metadata | standard iTunes atoms apply, though iOS shows only the title in the ringtone picker | aSF attributes mirror ID3 basics such as title, artist, album, and artwork, and Windows Media Player wrote extended library fields on top |
Drop one or more .m4r files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .wma in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if WMA is selectable, the route is real and validated.
Press Convert. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid WMA file. Outputs keep the original filename with the .wma extension.
A second lossy step always costs a little, because m4r is lossy-oriented and wma is lossy-oriented and each encoder discards detail differently (generation loss). At the default quality the difference is rarely visible; avoid repeated round-trips between .m4r and .wma.
Yes — the .m4r file is processed inside your browser tab and never uploaded. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device. Close the tab and the file is gone from memory.
Windows continues to play .wma through its bundled apps, but macOS, iOS, Android, and all web browsers lack native support. Files protected by Windows Media DRM will not play anywhere now that their license servers are gone.
It depends on the content: the standard codec is a lossy transform coder supporting up to 48 kHz stereo. Convert one representative file first and compare before batch-processing a large set.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, standard iTunes atoms apply, though iOS shows only the title in the ringtone picker; none of it is transmitted anywhere because the file never leaves your browser.
Yes — the reverse route exists as a separate tool. Bear in mind that round-tripping .m4r → .wma → .m4r is not a perfect undo when any lossy step is involved; keep your original if fidelity matters.