Add your M4R file
Drop one or more .m4r files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Re-encoding .m4r audio as .au changes how the sound is compressed and which players will accept it. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Re-encoding .m4r audio as .au changes how the sound is compressed and which players will accept it. An .m4r file is an iPhone ringtone: AAC audio in an MPEG-4 container, identical to an .m4a in everything but the extension. Apple uses .m4r purely as a routing marker so iTunes and iOS file the audio under Tones instead of Music.
An .au file is the Sun audio format, one of the earliest structured audio files, created for Unix workstations. A minimal header followed by sample data, classically 8 kHz mu-law telephony audio, makes .au about as simple as an audio format can get. For this route the practical draw is so simple that nearly any audio tool can parse it and pCM variants preserve the recording exactly — balanced against essentially obsolete outside legacy systems, which is worth knowing before you commit a large batch.
The practical trigger for this conversion is usually a mismatch: with .m4r, tones over 40 seconds are rejected outright. Switching to .au buys you so simple that nearly any audio tool can parse it, which is why it is the better fit for maintaining sound assets in vintage Unix and Java software. Because the conversion runs locally, trying it costs nothing but a few seconds of compute on your own machine.
| Aspect | Apple ringtone (.m4r) | Sun audio (.au) |
|---|---|---|
| Format type | Lossy — discards detail it judges invisible to shrink files | Lossless — every pixel or sample is preserved exactly |
| How it stores data | shares the ISO base media layout of .m4a, carrying AAC-LC audio | a 24-byte header carries a '.snd' magic number, data offset, encoding type, sample rate, and channel count |
| Strongest at | turning a favorite song's hook into a custom iPhone ringtone | maintaining sound assets in vintage Unix and Java software |
| Weak spot | tones over 40 seconds are rejected outright | essentially obsolete outside legacy systems |
| Metadata | standard iTunes atoms apply, though iOS shows only the title in the ringtone picker | an optional annotation field in the header can hold a short text string; no formal tag structure exists |
Drop one or more .m4r files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .au in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if AU is selectable, the route is real and validated.
Press Convert. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid AU file. Outputs keep the original filename with the .au extension.
No new loss is introduced — since m4r is lossy-oriented and au is lossless-oriented, everything the .m4r file still contains is carried over exactly. What was already discarded by the original lossy encode cannot be recovered, though; converting to .au does not "restore" quality.
Yes — the .m4r file is processed inside your browser tab and never uploaded. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device. Close the tab and the file is gone from memory.
Audio tools such as Audacity, sox, and ffmpeg open .au readily, and Java's sound APIs still accept it. Consumer players, phones, and browsers dropped meaningful support long ago, so conversion to WAV or MP3 is the practical route.
Larger, sometimes much larger. A lossless .au must store every pixel or sample the decoder produced, without the perceptual shortcuts .m4r used. Use this route for editing headroom, not for saving space.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, standard iTunes atoms apply, though iOS shows only the title in the ringtone picker; none of it is transmitted anywhere because the file never leaves your browser.
Yes — the reverse route exists as a separate tool. Bear in mind that round-tripping .m4r → .au → .m4r is not a perfect undo when any lossy step is involved; keep your original if fidelity matters.