Add your WMA file
Drop one or more .wma files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Re-encoding .wma audio as .ogg changes how the sound is compressed and which players will accept it. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Re-encoding .wma audio as .ogg changes how the sound is compressed and which players will accept it. A .wma file contains Windows Media Audio, Microsoft's proprietary compressed format, wrapped in the same ASF container as WMV video. It shipped with every copy of Windows for a decade, so ripped CDs and store purchases from that era survive as .wma libraries.
An .ogg file almost always means Vorbis-compressed audio in the Ogg container, the free-software world's answer to MP3. The .ogg extension originally covered any Xiph media; audio kept the name when video moved to .ogv, and game developers and Wikipedia still lean on it heavily. For this route the practical draw is patent-free from its first release and strong quality at mid-range bitrates — balanced against apple's Music app and iOS offer no native playback, which is worth knowing before you commit a large batch.
The practical trigger for this conversion is usually a mismatch: with .wma, proprietary and effectively abandoned. Switching to .ogg buys you patent-free from its first release, which is why it is the better fit for shipping game audio assets without codec royalties. Because the conversion runs locally, trying it costs nothing but a few seconds of compute on your own machine.
| Aspect | Windows Media audio (.wma) | Ogg audio (.ogg) |
|---|---|---|
| Format type | Lossy — discards detail it judges invisible to shrink files | Lossy — discards detail it judges invisible to shrink files |
| How it stores data | the standard codec is a lossy transform coder supporting up to 48 kHz stereo | vorbis is an MDCT-based lossy codec tuned through a quality scale (-q) rather than fixed bitrates |
| Strongest at | converting old ripped-CD libraries to MP3 or FLAC | shipping game audio assets without codec royalties |
| Weak spot | proprietary and effectively abandoned | apple's Music app and iOS offer no native playback |
| Metadata | aSF attributes mirror ID3 basics such as title, artist, album, and artwork, and Windows Media Player wrote extended library fields on top | vorbis comments, the flexible key=value system shared with FLAC and Opus, plus METADATA_BLOCK_PICTURE for embedded cover art |
Drop one or more .wma files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .ogg in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if OGG is selectable, the route is real and validated.
Press Convert. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid OGG file. Outputs keep the original filename with the .ogg extension.
A second lossy step always costs a little, because wma is lossy-oriented and ogg is lossy-oriented and each encoder discards detail differently (generation loss). At the default quality the difference is rarely visible; avoid repeated round-trips between .wma and .ogg.
Yes — the .wma file is processed inside your browser tab and never uploaded. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device. Close the tab and the file is gone from memory.
Chrome, Firefox, and Edge have decoded Ogg Vorbis for many years, and Android plays it natively, while Safari and iOS remained the notable holdouts until only recently. Dedicated players such as VLC and foobar2000 cover the desktop everywhere.
It depends on the content: vorbis is an MDCT-based lossy codec tuned through a quality scale (-q) rather than fixed bitrates. Convert one representative file first and compare before batch-processing a large set.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, aSF attributes mirror ID3 basics such as title, artist, album, and artwork, and Windows Media Player wrote extended library fields on top; none of it is transmitted anywhere because the file never leaves your browser.