Add your MOV file
Drop one or more .mov files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Pulling the soundtrack out of a .mov video into .wav audio keeps what you can hear and drops the picture entirely. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Pulling the soundtrack out of a .mov video into .wav audio keeps what you can hear and drops the picture entirely. A .mov file is Apple's QuickTime movie container, which stores video, audio, text, and timecode tracks in a flexible atom-based layout. iPhones, iPads, and professional cameras that record ProRes all write .mov, so the extension shows up constantly in editing workflows.
A .wav file is Microsoft's Waveform Audio format, which in practice almost always stores uncompressed PCM samples. Because every bit of the original signal is preserved and no decoding is required, .wav remains the default working format in recording studios and audio editors. For this route the practical draw is bit-perfect with zero generation loss and negligible CPU cost to read or write — balanced against enormous compared with FLAC, which halves the size losslessly, which is worth knowing before you commit a large batch.
The usual reason to take .wav audio out of a .mov file is that only the sound matters — a talk, interview, song, or podcast segment. Keeping the video stream would waste storage, and a dedicated audio file is easier to trim, tag, and play. On the source side, proRes recordings consume enormous disk space; on the target side, the payoff is bit-perfect with zero generation loss, which is exactly what you want for capturing and mixing sessions in a DAW.
| Aspect | QuickTime video (.mov) | WAV audio (.wav) |
|---|---|---|
| Format type | Container — quality depends on the codecs and settings inside | Lossless — every pixel or sample is preserved exactly |
| How it stores data | media lives in a hierarchy of atoms, each declaring its own size and type, which makes the format easy to extend | a RIFF chunk container whose fmt chunk usually declares linear PCM, though compressed codecs are technically permitted |
| Strongest at | importing iPhone footage into an edit without conversion | capturing and mixing sessions in a DAW |
| Weak spot | proRes recordings consume enormous disk space | enormous compared with FLAC, which halves the size losslessly |
| Metadata | quickTime metadata atoms and keys, including camera model, location, and timecode data written by iPhones and professional cameras | rIFF INFO chunks hold basic tags, while the Broadcast Wave bext chunk and iXML add description, originator, and timecode for production workflows; some tools also embed ID3 chunks |
Drop one or more .mov files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .wav in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if WAV is selectable, the route is real and validated.
Press Convert. A WebAssembly FFmpeg build demuxes the audio track and re-encodes it locally; the video stream is simply discarded.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid WAV file. Outputs keep the original filename with the .wav extension.
Since mov is container-oriented and wav is lossless-oriented, the conversion preserves the source content exactly as stored; no additional compression pass is applied beyond what .wav itself requires.
Yes — the .mov file is processed inside your browser tab and never uploaded. A WebAssembly FFmpeg build demuxes the audio track and re-encodes it locally; the video stream is simply discarded. Close the tab and the file is gone from memory.
Windows, macOS, Linux, iOS, Android, and all major browsers play .wav natively. Recordings that exceed 4 GB require the RF64 variant, which some consumer software fails to recognize.
Much smaller — the video stream is usually 80–95% of a .mov file's weight, and it is discarded entirely. The remaining audio is re-encoded at the bitrate implied by your quality setting.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, quickTime metadata atoms and keys, including camera model, location, and timecode data written by iPhones and professional cameras; none of it is transmitted anywhere because the file never leaves your browser.