Add your ALAC file
Drop one or more .alac files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Re-encoding .alac audio as .opus changes how the sound is compressed and which players will accept it. Free, private, and validated — the file never leaves your browser.
Batch files can each use a different output. Nothing uploads for local conversions.
Working inputs include camera RAW, browser-local audio/video, PDF, CBZ/CBR comics, office documents, ebooks, markup, 3D models, structured text, images, and archives.Re-encoding .alac audio as .opus changes how the sound is compressed and which players will accept it. ALAC, the Apple Lossless Audio Codec, compresses music with zero quality sacrifice, and the .alac extension is occasionally used to label such files explicitly even though the codec normally travels inside an .m4a container. Decoding reproduces the original samples exactly, making it Apple's counterpart to FLAC.
An .opus file contains audio compressed with the Opus codec, stored in an Ogg container. Opus represents the current state of the art in lossy audio, beating MP3, AAC, and Vorbis in listening tests at nearly every bitrate from whisper-thin speech settings up to transparent music encoding. For this route the practical draw is best-in-class efficiency at essentially every bitrate and royalty-free with an open reference implementation — balanced against older car stereos, AV receivers, and MP3 players have never heard of it, which is worth knowing before you commit a large batch.
The practical trigger for this conversion is usually a mismatch: with .alac, compresses slightly worse than FLAC on average. Switching to .opus buys you best-in-class efficiency at essentially every bitrate, which is why it is the better fit for compressing podcast and voice-chat audio to tiny files. Because the conversion runs locally, trying it costs nothing but a few seconds of compute on your own machine.
| Aspect | Apple Lossless audio (.alac) | Opus audio (.opus) |
|---|---|---|
| Format type | Lossless — every pixel or sample is preserved exactly | Lossy — discards detail it judges invisible to shrink files |
| How it stores data | linear-prediction compression conceptually similar to FLAC, typically reaching 40 to 60 percent of PCM size | the hybrid SILK/CELT design switches coding modes automatically based on content |
| Strongest at | building a lossless library that syncs cleanly to iPhones and the Music app | compressing podcast and voice-chat audio to tiny files |
| Weak spot | compresses slightly worse than FLAC on average | older car stereos, AV receivers, and MP3 players have never heard of it |
| Metadata | inherits the full iTunes metadata atom set from its MPEG-4 container, including artwork, composer, and grouping fields | vorbis comments in the OpusTags header, including cover art via METADATA_BLOCK_PICTURE, plus an output-gain field used for loudness normalization |
Drop one or more .alac files onto the converter above, or browse for them. They load into browser memory only — nothing is uploaded, so there is no size-based pricing and no server queue.
Select .opus in the output menu next to each file. The menu only offers targets this engine can genuinely produce, so if OPUS is selectable, the route is real and validated.
Press Convert. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device.
Each result is signature-checked before the download unlocks, so a failed encode can never masquerade as a valid OPUS file. Outputs keep the original filename with the .opus extension.
Some. Since alac is lossless-oriented and opus is lossy-oriented, the encoder will discard detail it judges least visible; the quality slider controls how aggressive that is. Keep the original .alac if you may need a pristine master later.
Yes — the .alac file is processed inside your browser tab and never uploaded. The transcode runs on an FFmpeg engine compiled to WebAssembly, so the audio never leaves your device. Close the tab and the file is gone from memory.
Chrome, Firefox, and Edge have played Opus for a decade and Android supports it natively, while Safari initially accepted the codec only inside CAF or WebM wrappers before extending support to .opus files. Legacy hardware such as older car head units remains the real gap, and conversion to MP3 or AAC bridges it.
Smaller, usually dramatically so — that is the main reason this route exists. The quality slider trades size against fidelity; the default sits at the point where most people cannot spot the difference.
This converter strips container metadata deliberately (the FFmpeg command runs with metadata mapping disabled) so exported files do not leak recording details. In the source, inherits the full iTunes metadata atom set from its MPEG-4 container, including artwork, composer, and grouping fields; none of it is transmitted anywhere because the file never leaves your browser.